For my book Gray Matters I asked Jack Hafer to categorize different approaches Christians have taken to film & filmmaking, and he described three. Below I’ve summarized his three approaches, plus a fourth that I have personally observed.
How are Christians set apart or distinct from the unbelieving world? When push comes to shove, would any observer be able to pick today’s edgy/authentic/real/raw/not-your-grandmother’s Christian out of the proverbial crowd? In what ways are we embodying the call to be salt and light, a city on a hill (Matt. 5:13–16), and a “royal priesthood” called out of darkness and into light (1 Peter 2:9)?
