Tilda Swinton

The Limits of Control

I love Jim Jarmusch. So I was delighted to be able to see his latest film, The Limits of Control, and write a review for Christianity Today. The film is a strange one, to be sure. It's like Lost in Translation meets Inland Empire, with a dose of 60s-inspired critical theory thrown in. It's made by and for hipsters, so expect a lot of ambiguity, ambient Japanese rock music, and Bill Murray (actually, just a little Bill Murray).