I've been thinking a lot about the Lord's Supper recently, and why I find it increasingly crucial and comforting amidst the manifold discomforts of 21st century life. It has struck me that the Lord's Supper is a bit like time-travel. The weekly eucharistic ritual, enacted by millions of Christians every Sunday, transports us simultaneously to the past, present and future. And each of these modes is beautiful and nourishing.
Movies like Looper give me hope for American cinema. Rian Johnson's film is a tight, stylish, deftly scripted crowd pleaser, a clever film that engages the audience viscerally, cognitively and emotionally. Its also a film that takes a schoolboy's delight in the magic and thrill of cinema. Rian Johnson is film nerd, fanboy, and B-movie genre postmodern in the vein of Tarantino, with a smidge less irony and a bit more Raymond Chandler noir. His films (Brick, The Brothers Bloom) are characterized by anachronistic pop culture pastiche and the merging of multiple genre tropes.
